Apocalipsis con Amazonas
Author: Jorge Etcheverry
Publisher: Antares
Toronto, 2014

Review by Marcelo Novoa

“In contrast with the Anglo-American school, Latin American fantastic literature does not constitute a clearly defined movement: it is mixed inextricably with general literature, free of stifling cultural histories, and at the same time shaped by the multiple breeding grounds of the countries that produce it, demonstrating a remarkable vitality and originality, much greater than that which prevails in the attempts at genres such as science fiction or crime fiction in the same geographic region.” – Elvio Gandolfo, Antología de Literatura Fantástica Latinoamericana (1971)

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Wayfarer
Author: Teobaldo Noriega
Publisher: Lugar Común
Ottawa, 2013

Review by Clinton Ramírez Contreras

Wayfarer, the latest collection of poetry by Teobaldo Noriega, brings together a selection of poems in Spanish and English from his books Candela viva (1984), Duende de noche (1988), Ars amandi (1998), Polvo enamorado (2001), Doliente piel de hombre (2005) and Las orillas del canto (2012). This painstakingly and astutely chosen selection has been rendered in English by the Colombian translator Ana María Correa, a resident of Santa Marta, where she works as a teacher.

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The Story of Spanish
Authors:  Jean-Benoît Nadeau and Julie Barlow
Publisher: St. Martin’s Press
London, 2013

Review by Dwain Richardson

According to 2012 statistics prepared by the Cervantes Institute, Spanish is the native language of some 500,000,000 people. It has official status in 21 countries, and 18,000,000 people worldwide are learning Spanish as a foreign language. Indeed, Spanish is now the world’s second or third most widely spoken language. With such compelling statistics, one might ask: How did Spanish become so important in the world today? Why are so many people learning it? Answers to these questions, and many others, can be found in The Story of Spanish.

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Cloudburst: An Anthology of Hispanic Canadian Short Stories
Editors:  Luis Molina Lora, Julio Torres-Recinos
Publisher: University of Ottawa Press
Ottawa, 2013

Review by Martin Boyd

In 2008, the publication of the anthology edited by Luis Molina Lora and Julio Torres-Recinos, Retrato de una nube. Primera antología del cuento hispano canadiense ["Portrait of a Cloud: First Anthology of Hispanic Canadian Short Fiction"] marked a milestone in Hispanic Canadian literature: the first anthology exclusively dedicated to short stories written by Hispanic Canadian authors. Five years later, the appearance of the translation of the same anthology into English, under the title Cloudburst: An Anthology of Hispanic Canadian Short Stories, published by University of Ottawa Press, marks another milestone: the first anthology of Hispanic Canadian short stories translated into English, making the richness and diversity of Hispanic Canadian short fiction available to English-speaking readers for the first time.

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Nosotros los Nobles
Director: Gaz Alazraki
Studio: Alazraki Films
Mexico, 2013

Review by Martin Boyd

It is no secret to most Mexicans that the central issue underlying all the turmoil that has affected their country in recent years – from the violence of the so-called “drug war” to the teacher protests that have brought Mexico City to a standstill on several occasions this year – is the growing gap between rich and poor. The Mexican economy has expanded considerably in recent decades to turn the country into one of the world’s economic superpowers; nevertheless, only a select group of Mexicans have benefited from the revenues earned from the country’s increasing productivity. Mexico’s economic inequality has led many commentators to speak of the emergence of “two Mexicos”, “one that is the beneficiary of neoliberal globalization, and the other that receives scarcely a few drops of the wealth that is created” (Agustín Basave, El Universal).

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Altri Suoni
Artists: Barbara Croall and Paulina Derbez
Distributor: Conscious Musician Productions
Toronto, 2013

Review by Dulce Huet Covarrubias

Altri Suoni, the new CD of avant-garde music composed and performed by Mexican violinist Paulina Derbez and indigenous Canadian composer Barbara Croall (of the Odawa Nation), is a sonic production that takes us back simultaneously to our origins as humans and as acoustic beings. Voice and violin intertwine their different expressions, constructing a rite of sounds and silences, which we can discern as they emerge from the deepest corners of our resonant and dissonant memory.

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The Whirling of the Serpent: Quetzalcoatl Resurrected
Author: José Luis Díaz
Publisher: Antares
Toronto, 2009

Review by Manuel Romero Mier y Terán

Being Mexican sometimes seems like an internal contradiction, as the vast majority of the Mexican population hold both the Spanish Conquistador and his indigenous victim in disdain. But this reality of our nation – which also resonates in other countries of Latin America – was not always the case. Before other chimeras like the Virgin of Guadalupe, China Poblana and the Mestizo, there was the Plumed Serpent, Lord of the Earth and Sky: Quetzalcoatl. He was a character that my generation learned about in history text books at elementary school as a god, priest or wise man who was expelled from his home after getting drunk on pulque, and who then departed on a boat of serpents promising he would return one day, thereby forging one of the most meaningful legends of Mexican psychological identity.

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Martha Bátiz and Martin Boyd at the book launch for “Papalotero”

A heartfelt thank you to all who attended the book launch for my novel Papalotero at Accents Bookstore, this week. For those who missed it, an excerpt from the presentation on the novel by Mexican-Canadian writer Martha Bátiz is included below. – Martin Boyd

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Las largas horas de la noche
Author: Antonio Álvarez Gil
Publisher: Plaza Mayor
Havana, 2003
Review by Arístides Vega Chapú

A comprehensive overview of contemporary Cuban writing would be so difficult that I would even dare to suggest it would be impossible, especially if the aim were to be impartial and objective. One reason for this is the number of books issued by rural publishers, in limited print runs that fail to reach every corner of the country. Many such books are left out of the studies and lists we generally use to support a knowledge that almost always, especially in recent years, proves too relative to be called definitive. Another factor is the quantity of excellent literature written and published in places far from Cuban shores that never reaches our hands. We are mutual strangers; we are so utterly unaware of these authors that we might claim their writing does not belong to our single, indivisible national literature, in spite of the fact it constitutes one of the most solid parts of our culture.

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