Beatriz Hausner is the author of several poetry collections, including Enter the Raccoon and Sew Him Up. Her work has been translated into several languages, including Spanish, her mother tongue: La costurera y el muñeco viviente (trans. Julio César Aguilar: Mantis Editores, Mexico, 2012). Hausner’s career as a literary translator has focused on the poetry of César Moro, Olga Orozco, Rosamel del Valle, the poets of the Chilean group Mandrágora, and many others associated with Spanish American surrealism. She has also translated the early fiction of Alvaro Mutis, and most recently, the poetry of Abigael Bohórquez. She has been President of the Literary Translators’ Association of Canada and was one of the founders of the Banff Literary Translation Centre. For several years she was one of the publishers of Quattro Books, where she oversaw the publication of many works of literature in translation. Her poem “Poetic Twin Man” appeared originally in her collection Sew Him Up, and appears now in Diálogos for the first time in a Spanish translation by Marta Rota Nuñez.
The US initiative of National Translation Month (NTM) announces the celebration’s move from February to September. NTM will now celebrate translations every September starting in 2016 with the official social hashtag #TranslateMonth2016. The goal of National Translation Month (NTM) is to encourage readers worldwide to celebrate literary works in translation from a variety of international authors.
When: Saturday August 6 and Sunday August 7, 2016, starting at 1 p.m.
Where: Mississauga Celebration Square
300 City Centre Drive, Mississauga
The best of our Latin American culture will be on display at the second edition of the Mississauga Latin Festival 2016, where you will have the chance to enjoy orchestras, folklore, traditional foods, handicrafts, children’s activities, a cultural exhibition and much more.
Director: Carlos Salcés
Studio: Altavista Films
Review by Martin Boyd
A series of internationally successful Mexican films over the past twenty years has led critics to speak of a Nuevo Cine Mexicano (“New Mexican Cinema”), a resurgence in Mexico’s film industry after decades of decline. With filmmakers like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro as some of its most outstanding representatives, the movement is characterized by its dark overtones, with themes related to violence (Amores Perros), the drug trade (Rudo y Cursi), sexuality (Y tu mamá también) and the frankly grotesque (Pan’s Labyrinth), themes that are all quite popular in the world of arthouse cinema, but that don’t leave much room for the production of family films. In this context, a film like Zurdo, by Mexico City director Carlos Salces, whose protagonist is an 11-year-old with a skill for playing marbles, seems like a ray of light in the darkness for parents who want their children to see a little Mexican cinema to break up the Disney monotony. Unfortunately, in spite of many points in its favour, in the end Zurdo falls prey to the same fascination for bleak themes from which so many films of the Nuevo Cine Mexicano seem to suffer, and thus disqualifies itself as an ideal film for the whole family to enjoy.
The world of literary translation lost one of its most important figures last month with the death of US translator Gregory Rabassa. When the so-called “Latin American boom” brought writers like Gabriel García Márquez, Mario Vargas Llosa and Julio Cortázar to international fame in the 1960s, it was Rabassa whose well-crafted translations brought many of their masterpieces alive in the English language. For Hopscotch, his translation of Cortázar’s Rayuela, one of the first Latin American novels to receive international attention, Rabassa won the US National Book Award for Translation in 1967. However, of all of his translations the most widely read is without doubt One Hundred Years of Solitude, one of the most important literary works of the twentieth century, whose author García Márquez described Rabassa as “the best Latin American writer in the English language.”
Editorial Nuestra Palabra publishers, AMPO, and the Consulates of Spain and Peru in Toronto are pleased to announce and invite the Hispanic community in Canada, and the Hispanic-Canadian community around the world, to participate in the thirteenth annual edition of the “Nuestra Palabra” short story competition, dedicated to promoting the reading and writing of literature in Spanish and the promotion of Spanish-speaking values.
First Latin American Entrepreneurs’ Day in Toronto
An opportunity to do business!
When: Thursday, June 22, 2016. 8:30 a.m. – 5:30 p.m.
Where: Council Chambers, Toronto City Hall
100 Queen Street West, Toronto
María Enriqueta Camarillo was a Mexican poet, short story writer, novelist and Translator who became one of the most important figures of Spanish-American modernism. In the years after the Mexican Revolution, her children’s books became extremely important as school text books in the context of the educational reforms of José Vasconcelos, and her importance in Mexican culture is reflected in the various libraries and schools that bear her name. She was also recognized outside Mexico, as in 1923 her novel El secreto (“The Secret”) won the Academie Francaise literary prize for best Hispanic female novel.
Review by Martin Boyd
The Spanish-speaking community is now one of Canada’s largest minority language communities. According to the 2012 national census, there are 441,000 native Spanish speakers in the country, making it Canada’s second most widely spoken minority language. Because it has grown so rapidly – from almost nothing a mere 50 years ago to its considerable size today – Hispanic Canadian history is a field still very much in its infancy. Fortunately, however, it is a field that is beginning to attract the attention of historians like Francis Peddie, whose examination of the experiences of Chilean exiles – a group of extreme importance to the establishment of this country’s Spanish-speaking community – constitutes a valuable contribution to the library of Canada’s multicultural history.
Today marks the 400th anniversary of the death of Miguel de Cervantes (1547-1616), whose masterpiece, The Ingenious Gentleman Don Quixote of La Mancha (1605), is recognized as the first modern novel in Spanish, and a kind of bridge between the medieval and the modern in the evolution of the language. In a recent interview with the journalist Virginia Bautista, the prominent Mexican author Ignacio Padilla, himself a specialist in Cervantes’s work, describes Don Quixote as “the catalyst for the birth of modern Spanish.”