{"id":1338,"date":"2012-08-30T01:07:02","date_gmt":"2012-08-30T01:07:02","guid":{"rendered":"https:\/\/dialogos.ca\/?page_id=1338"},"modified":"2025-04-11T15:44:54","modified_gmt":"2025-04-11T15:44:54","slug":"publications","status":"publish","type":"page","link":"https:\/\/dialogos.ca\/es\/cartera\/publications\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"

MARTIN BOYD, TRADUCTOR ESPA\u00d1OL>INGL\u00c9S<\/strong><\/p>\n

TRADUCCIONES DE LIBROS<\/strong><\/p>\n

\"Whirling

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The Whirling of the Serpent
\nJos\u00e9 Luis D\u00edaz (Antares, 2009)<\/strong>
\nMediante una delicada prosa y una esmerada labor de indagaci\u00f3n, reflexi\u00f3n y an\u00e1lisis, Jos\u00e9 Luis D\u00edaz revela c\u00f3mo el mito de Quetzalc\u00f3atl, la serpiente emplumada de los antiguos mexicanos, sobrevive hoy. Este poderoso icono ha llegado a jugar un papel singular en la construcci\u00f3n de la nacionalidad mexicana y este libro constituye un recuento del mito de Quetzalc\u00f3atl desde su origen remoto hasta sus sorprendentes mutaciones pl\u00e1sticas, literarias y pol\u00edticas m\u00e1s actuales. El trabajo tambi\u00e9n configura una comparaci\u00f3n con otros mitos aleda\u00f1os, en especial de Per\u00fa, Colombia, Brasil y Paraguay y manifiesta un resuelto y fascinante prop\u00f3sito de rescate y asimilaci\u00f3n.
\nPara leer una rese\u00f1a del libro, haga clic aqu\u00ed<\/a>.<\/em><\/p>\n

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\"Under

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Bajo la luz de mi sangre\/Under the Light of My Blood<\/em> (Edici\u00f3n biling\u00fce)<\/strong>
\nJorge Enrique Gonz\u00e1lez Pacheco (Trafford, 2009)<\/strong>
\nEn su poemario Bajo la luz de mi sangre Jorge Enrique Gonz\u00e1lez Pacheco pinta un tapiz po\u00e9tico de im\u00e1genes intensas y a menudo inquietantes de su vida en Cuba, donde naci\u00f3. Los textos manifiestan una b\u00fasqueda de la identidad o una autobiograf\u00eda cr\u00f3nica interior de los eventos que van desde su nacimiento a su exilio. Su poes\u00eda as\u00ed constituye un medio para plasmar las experiencias m\u00e1s \u00edntimas y formativas del autor.<\/p>\n

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\"In

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In the Name of the Son
\nMario Guillermo Huacuja (Trafford, 2009)<\/strong>
\nA trav\u00e9s de su examen de la relaci\u00f3n entre una madre soltera inmigrante y su hijo, In the Name of the Son proporciona al lector una perspectiva sobre la vida de los migrantes hispanoamericanos, adem\u00e1s de las agitaciones sociales, pol\u00edticas y econ\u00f3micas de Estados Unidos y M\u00e9xico a principios del siglo XXI. Mario Huacuja ofrece al lector una historia vertiginosa con un sabor cinem\u00e1tico, llena de recovecos. Tal vez no es casualidad que encontremos que uno de los personajes de la novela es la leyenda de la pantalla, Robert De Niro.<\/p>\n

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\"The

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The Neoliberal Pattern of Domination
\nJos\u00e9 Manuel S\u00e1nchez Berm\u00fadez (Brill, 2012)<\/strong>
\nEn su actual etapa de desarrollo hist\u00f3rico, el capital -un pu\u00f1ado de\u00a0gigantescas empresas transnacionales\u00a0cuyos representantes pugnan por consolidarse como\u00a0oligarqu\u00eda mundial- sigue concentrando su poder econ\u00f3mico, pol\u00edtico y militar. Este libro proporciona un an\u00e1lisis de los mecanismos en los cuales se base el capital e identifica se\u00f1ales de que la fase neoliberal de dominaci\u00f3n de capital actual constituye la \u00faltima etapa de desarrollo de un capital en declive.<\/p>\n

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\"\"<\/a>

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The Minotaur’s Island<\/strong><\/em>
\n Ana P. Jim\u00e9nez & H\u00e9ctor J. P\u00e9rez (ADS, 2012)<\/strong>
\nEn la isla de Creta durante la Segunda Guerra Mundial, un soldado joven australiano y una chica de un pueblo cretense huyen de los nazis invasores y se pierden completamente en un laberinto subterr\u00e1neo. Para buscar una salida, deben descrifrar los hierogl\u00edfos misteriosos en las paredes a su alrededor. Al hacerlo, empiezan a descrubir uno de los mayores secretos del mundo, un secreto que podr\u00eda cambiar el rumbo de la historia misma: el secreto del Minotauro.<\/p>\n

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The Conscious Musician<\/strong><\/em>
\n Paulina Derbez (Editorial Ink, 2014)<\/strong>
\nThe Conscious Musician<\/em> es un libro destinado a modificar la percepci\u00f3n de los padres y los maestros acerca del proceso de ense\u00f1ar y aprender la m\u00fasica. Paulina Derbez, violinista y pedagoga mexicana, se basa en su propia experiencia para escribir este libro, el cual es a la vez un manual de aprendizaje y una exploraci\u00f3n filos\u00f3fica acerca del verdadero significado del quehacer musical.<\/p>\n

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Amigonian Identity in Action<\/strong><\/em>
\n Juan Antonio Vives Aguilella (Fund. Univ. Luis Amig\u00f3, 2014)<\/strong>
\nEn este libro el te\u00f3logo espa\u00f1ol Juan Antonio Vives Aguilella indaga en las bases filos\u00f3ficas de la pedagog\u00eda de la Congregaci\u00f3n de Religiosos Terciarios Capuchinos (o amigonianos), que desde hace 125 a\u00f1os han trabajado en la defensa de los ni\u00f1os y j\u00f3venes pobres, despojados de sus derechos. Este texto es a la vez un manual pedag\u00f3gico para los integrantes de la congregaci\u00f3n amigoniana, la cual ya tiene una presencia en cuatro continentes, y una biograf\u00eda de la vida y del pensamiento de su fundador, Luis Amig\u00f3, cuya dedicaci\u00f3n a los preceptos humanistas cristianos del amor y la justicia social constituye la base de la identidad amigoniana.<\/p>\n

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The Order of the Knights of Time I: The Mystery of Queen Nefertiti<\/strong><\/em>
\n C.T. Cassana (Amazon Books, 2017)<\/strong>
\nCuando los Wilford se trasladan a vivir a un viejo caser\u00f3n en Londres, no imaginan que \u00e9ste oculta un poderoso objeto, tan magn\u00edfico como peligroso. El joven Charlie lo encontrar\u00e1 por casualidad y, en compa\u00f1\u00eda de su entrometida hermana Lisa, se ver\u00e1 envuelto en innumerables dificultades y aventuras. Lo que parece un juego inocente se transformar\u00e1 en una peligrosa cacer\u00eda en la que un despiadado asesino seguir\u00e1 su rastro para arrebatarles su incre\u00edble hallazgo. Entretanto, Maggie Wilford, madre de Charlie y afamada arque\u00f3loga, intentar\u00e1 desvelar uno de los grandes misterios del Antiguo Egipto: qui\u00e9n era en realidad y d\u00f3nde est\u00e1 enterrada la Gran Reina Nefertiti<\/span>.<\/p>\n

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Filming History from Below: Microhisorical Documentaries<\/strong><\/em>
\nEfren Cuevas (Wallflower Press, 2022)<\/strong>
\nLos documentales hist\u00f3ricos tradicionales tratan de proyectar una idea de objetividad, con lo cual se produce una perspectiva de la historia de arriba abajo que se centra en los sucesos y las personas p\u00fablicos. En las \u00faltimas d\u00e9cadas, en consonancia con las tendencias que apuestan por una “historia desde abajo”, ha aparecido otro tipo de documental hist\u00f3rico, que se centra en temas muy espec\u00edficos, archivos personales y perspectivas en primera persona. Efr\u00e9n Cuevas denomina dichas pel\u00edculas “documentales microhist\u00f3ricos” y indaga en c\u00f3mo amplian la capacidad del cine como productor de conocimiento hist\u00f3rica<\/span>.<\/p>\n

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The Death in Their Eyes: What Perpetrator Images Perpetrate<\/strong><\/em>
\nVicente S\u00e1nchez-Biosca (Berghahn Books, 2024)<\/strong>
\nIm\u00e1genes que encarnan el punto de vista de los perpetradores de cr\u00edmenes violentos, de sus c\u00f3mplices, nos obligan a ver el dolor de las v\u00edctimas a trav\u00e9s de los ojos de aquellos que lo provocaron. Acompa\u00f1ado de m\u00e1s de sesenta im\u00e1genes de infame violencia hist\u00f3rica, The Death in their Eyes<\/em> va m\u00e1s all\u00e1 de los aspectos visibles de las im\u00e1genes para descubrir lo que se ha quedado fuera del campo visual. Abarcando el abuso humano y humillaci\u00f3n en Abu Ghraib, el \u00c1lbum de Auschwitz, la profanaci\u00f3n religiosa durante la Guerra Civil Espa\u00f1ola, una pel\u00edcula incompleta de propaganda nazi realizada en el gheto de Varsovia en la primavera del 1942 y los encarcelados en el centro de torturas S-21 en Camboya bajo el Khmer Rouge, en este volumen se propone una nueva metodolog\u00eda para analizar las im\u00e1genes de los perpetradores, en fotograf\u00edas y pel\u00edculas, que siguen siendo utilizadas y reapropiadas en los medios en la actualidad<\/span>.<\/p>\n

TRADUCCIONES SELECCIONADAS DE CUENTOS Y ART\u00cdCULOS ACAD\u00c9MICOS<\/h2>\n

Rodr\u00edguez-Rodr\u00edguez S. (2025). “The use of paid media to disseminate political advertising by political parties in Spain: the case of VOX<\/a>.” Revista Mediterranea de Comunicacion<\/em>, 16(1), e24348.<\/p>\n

Sabater, Violeta. “Female Subjectivities from a Distance: A Comparative Study of Three Films of the 1980s and 1990s by Latin American Women Filmmakers<\/a>.” L’Atalante<\/em>. 39(2025): 85-96.<\/p>\n

Montes, Gustavo, Vicente Sanz de Le\u00f3n, and Saida Santana Mamut. “The path of the impostor: motifs and self-reference in The War Is Over (La guerre est finie, Alain Resnais, 1966)<\/a>.” L’Atalante<\/em>. 39(2025): 180-192.<\/p>\n

Rodr\u00edguez-Fidalgo, Mar\u00eda-Isabel, Paino-Ambrosio, Adriana, and Bego\u00f1a Ivars-Nicol\u00e1s.\u00a0 “A Study of High School Students\u2019 Experiences and Perceptions of Prosocial Immersive Content<\/a>.”\u00a0Observatorio,\u00a0<\/em>18.4 (2024): 139-155.<\/p>\n

Alonso-Mu\u00f1oz, Laura, Andreu Casero-Ripoll\u00e9s. “The Role of Citizens in Political Conversation on X: The Case of Spain\u2019s No Confidence Motion in 2023<\/a>.” Mediterranean Journal of<\/em> Communication<\/em>, 15.2 (2024): e26829.<\/p>\n

Urbano, Jes\u00fas. “Reverse Shots in Contemporary Noir Films: An Analysis of The Limits of Control<\/em>, Once Upon a Time in Anatolia<\/em> and Night Moves<\/em><\/a>.” L’Atalante<\/em>. 38(2024): 127-140.<\/p>\n

Busto Miramontes, Beatriz. “Music, power and violence in NO-DO.”\u00a0The Routledge Handbook to Spanish Film Music. <\/em>London: Routledge, 2024: 69-79.<\/p>\n

Garc\u00eda-Torres, Miguel. “Influence of digital effects on consumer attitudes towards advertisements and brands<\/a>.” Mediterranean Journal of<\/em> Communication<\/em>, 15.1 (2024): 271-284.<\/p>\n

Elduque Busquets, Albert. “Intrepid Mountaineers and Damsels in Distress: The Sportswoman in the ‘Bergfilm’<\/a>.” L’Atalante<\/em>. 37(2024): 45-60.<\/p>\n

Moreno Pellejero, Ariadna. “Dismantling the Voyeur\u2019s Intrusion: The Position of the Gaze in the Films of Chantal Akerman<\/a>.” L’Atalante<\/em>. 37(2024): 179-193.<\/p>\n

Lambies, Josep. “Julie Andrews: from the myth of the androgyne to gender fluidity<\/span>.” Feminist Media Studies<\/em>, 24.3 (2024): 628-642.<\/p>\n

Castro de Paz, Jos\u00e9 Luis and Asier Aranzubia Cob. “Maidservants and middle-class se\u00f1oritas in pre-developmentalist Madrid: Saura and Patino at the Instituto de Investigaciones y Experiencias Cinematogr\u00e1ficas<\/a>.” L’Atalante<\/em>. 36(2023): 51-66.<\/p>\n

Planes Pedre\u00f1o, Jos\u00e9 Antonio. “Dissonances between delegated narrator and mega-narrator: four strategies for undermining the voice-over in ‘The Virgin Suicides’<\/a>.” L’Atalante<\/em>. 36(2023): 221-234.<\/p>\n

S\u00e1nchez Manzano, Miriam. “A queer approach to illness in the experimental films of Barbara Hammer<\/a>.”\u00a0Comparative Cinema,\u00a0<\/em>11.21 (2023): 51-66.<\/p>\n

Mart\u00ednez L\u00f3pez, Carolina and Ram\u00f3n Girona Dur\u00e1n. “Erwin Piscator\u2019s total theater as a revolutionary immersive audiovisual tool. The paradigm of Hoppla, Wir Leben!<\/em> (1927)<\/a>.” L’Atalante<\/em>. 35(2023): 33-46.<\/p>\n

Luri Rodr\u00edguez, Javier. “The Spectator\u2019s Seat: Movement and Body in Immersive Cinema<\/a>.” L’Atalante<\/em>. 35(2023): 95-108.<\/p>\n

Berzosa, Alberto and Josetxo Cerd\u00e1n. “Exiles and colonists in the first person: the family archive and its recent (re)writings in Spain<\/a>.” L’Atalante<\/em>. 34(2022): 21-40.<\/p>\n

Busto Miramontes, Beatriz. “(De)politicising emigration and the \u00e9migr\u00e9\u2019s return in the NO-DO film productions<\/a>.” L’Atalante<\/em>. 34(2022): 55-68.<\/p>\n

Wood, David, and Sonia Garc\u00eda L\u00f3pez. “A Wandering Archive: Herbert Kline and the Transnational Itineraries of Anti-Fascist Filmmaking<\/a>.” L’Atalante<\/em>. 34(2022): 69-86.<\/p>\n

Alonso-L\u00f3pez, Nadia, Pavel Sidorenko Bautista. “Spanish historical memory coverage on TikTok: profiles, content and messages<\/a>.”\u00a0Mediterranean Journal of<\/em> Communication<\/em>, 13.2 (2022): 117-134.<\/p>\n

Feenstra, Pietsie. “Filmic Voices in Pilar Palomero’s Schoolgirls<\/em>: Behind the Scenes of the Generation of 1992<\/a>.” L’Atalante<\/em>. 33 (2022). 27-40.<\/p>\n

Gonz\u00e1lez-Hortig\u00fcela, Tecla, Manuel Canga Sosa. “The Failure of the Romantic Experience in Distances<\/em><\/a>.” L’Atalante<\/em>. 33 (2022). 41-58.<\/p>\n

Fern\u00e1ndez-Pichel, Samuel, Sergio Cobo-Dur\u00e1n. “The Site of the Affects: Polyphony of Voices and Urban Fragility in La Alameda 2018<\/em> by Roc\u00edo Huertas<\/a>.” L’Atalante<\/em>. 33 (2022). 101-114.<\/p>\n

Rodr\u00edguez-Serrano, Aaron, Garc\u00eda-Catal\u00e1n, Shaila, and Marta Mart\u00edn-Nu\u00f1ez. “Audiovisual Production by the Contemporary European Extreme Right: Filmic Inheritances and Intertexts to Spread the Hate<\/a>.”\u00a0Communication & Society,<\/em> 34.2 (2021): 231-246.<\/p>\n

Sorolla-Romero, Teresa, Palao-Errando, Jos\u00e9 Antonio, Javier Marzal Felici. “Unreliable Narrators for Troubled Times: The Menacing ‘Digitalisation of Subjectivity’ in Black Mirror<\/em><\/a>.” Quarterly Review of Film and Video<\/em>, 38.2 (2021). 147-169.<\/p>\n

Segarra-Saavedra, Jes\u00fas, Hidalgo-Mari, Tatiana, and Victoria Tur-Vi\u00f1es. “The Prevalence and Impact of Special Issues in Communications Journals 2015-2019<\/a>.” Learned Publishing<\/em>, 34(3), 2021.<\/p>\n

Cancela, Nuria. “The Influence of American Cinema on the Performance of the Femme Fatale<\/em> in Spanish Crime Films of the 1950s<\/a>.” L’Atalante.<\/em>\u00a032 (2021). 51-64.<\/p>\n

Adell Carmona, Mar\u00eda, Sergi S\u00e1nchez Mart\u00ed. “Lina Morgan: The Archetype of the Explosive Ing\u00e9nue in Spanish Cinema of the Late Francoist Period<\/a>.” L’Atalante.<\/em>\u00a032 (2021). 65-78.<\/p>\n

Medina-Contreras, Juan, Pedro Sangro Col\u00f3n. “From the ‘Final Girl’ to the Emancipated Heroine: Female Archetypes in the [REC]<\/em> Saga<\/a>.” L’Atalante.<\/em>\u00a032 (2021). 79-90.<\/p>\n

Nieto Ferrando, Jorge, S\u00e1nchez-Castillo, Sebasti\u00e1n, and Beatriz G\u00f3mez-Morales. “Audiovisual Fiction and Tourism Promotion: The Impact of Film and Television on the Image of Tourist Destinations and Contributions from Textual Analysis<\/a>.”\u00a0Profesional de la informaci\u00f3n <\/em>(2021), v. 30, no. 6, e300614.<\/p>\n

Plana, Marc. “The deliberated decision in children\u2019s mainstream cinema: On socialization in the discourse of freedom<\/a>.”\u00a0Journal of Screenwriting,\u00a0<\/em>12 (2021): 307-324.<\/p>\n

Any\u00f3, Luis, \u00c1ngel Colom. “Emotional Ambivalence in The Last of Us: Emotions in Video Games between Narrative Complexity and Player Allegiance<\/a>.” L’Atalante<\/em>. 31 (2021). 85-102.<\/p>\n

Pi\u00f1eiro-Otero, Teresa. “Between Sensation and Containment: The Multidimensionality of Listening in Inside<\/em><\/a>.” L’Atalante<\/em>. 31 (2021). 103-116.<\/p>\n

Planells de la Maza, Antonio Jos\u00e9. “The Promised Land in Contemporary Video Games: A Myth Analysis of Bioshock Infinite<\/em> and Death Stranding<\/em><\/a>.” L’Atalante<\/em>. 31 (2021). 117-130.<\/p>\n

Ontoria-Pe\u00f1a, Mercedes. “‘It’s Impossible for Me to Be That Woman Again’: Embodiment and Identity in Qui\u00e9n Te Cantar\u00e1<\/em><\/a>.” L’Atalante<\/em>. 31 (2021). 225-235.<\/p>\n

Vilar\u00f3, Arnau. “A Bedroom Story: The Language of Desire in the Films of Chantal Akerman<\/a>.” Comparative Cinema<\/em>, 8.15 (2020). 8-24.<\/p>\n

Mestre-P\u00e9rez, Rosanna. “Secular Resymbolisation of the Santiago Pilgrimage in Spanish Cinema: The Case of The Way<\/em> and Road to Santiago<\/em><\/a>.” L’Atalante<\/em>. 30 (2020). 17-32.<\/p>\n

Puche-Ruiz, Mar\u00eda C. “Cinematic Depictions of the Guadalquivir Marshes: Social and Tourism Contexts of a Forgotten Place (1943-2014)<\/a>.” L’Atalante<\/em>. 30 (2020). 33-46.<\/p>\n

Villaverde, Fernando. “Whatever Happened to New American Comedy?<\/a>” L’Atalante<\/em>. 30 (2020). 198-200.<\/p>\n

Cara\u00f1ana, Joan Pedro. “Yes, There Is Hope<\/a>.”\u00a0Open Democracy<\/em>, 22 September 2020.<\/p>\n

Rugiero Bader, Agust\u00edn. “Toward the Threshold: Desire and Abjection in Witch Films<\/a>.” Comparative Cinema,\u00a0<\/em>Vol. VIII, No. 15 (2020), pp. 161-173.<\/p>\n

Kovacsics, Violeta, Alan Salvad\u00f3. “Made for Sitges? The reception of the South Korean thriller in Spain through a case study of the Sitges Film Festival.<\/a>” L\u2019Atalante.\u00a0<\/em>29 (2020). 67-84.<\/p>\n

Deltell Escolar, Luis, Carla Folgar Arias. “Hallyu (\ud55c\ub958) in Spain: viewers, fanbases and new ways of consuming audiovisual content<\/a>.”\u00a0L\u2019Atalante.\u00a0<\/em>29 (2020). 49-62.<\/p>\n

L\u00f3pez, Jos\u00e9 Manuel. “Completely in Ruins: Bela Tarr’s\u00a0Werckmeister<\/em> Harmonies<\/em><\/a>.” L\u2019Atalante.\u00a029 <\/em>(2020). 193-204.<\/p>\n

Poch, Chantal. “Spirit and Matter: Andrei Rublev<\/em> (Andrei Tarkovsky, 1966) and Heart of Glass<\/em> (Werner Herzog, 1976).<\/a>” L\u2019Atalante.\u00a0<\/em>29 (2020). 165-176.<\/p>\n

Loriguillo-L\u00f3pez, Antonio, Palao-Errando, Jos\u00e9 Antonio, Javier Marzal-Felici. “Making Sense of Complex Narration in Perfect Blue<\/em>.<\/a>“ Animation: An Interdisciplinary Journal<\/em>, 15.1 (2020). 77-92.<\/p>\n

L\u00f3pez-Navarrete, Alberto Jes\u00fas, et al. “Formula for Measuring Viewer Engagement on YouTube: Exploratory Research on Major Spanish YouTubers<\/a>.”\u00a0\u00a0Mediterranean Journal of Communication, <\/em>Vol. 12, No. 2 (2020), 143-156.<\/p>\n

Monserrat-Gauchi, et al. “Interrelations between the Media and Architecture: Contribution to Sustainable Development and the Conservation of Urban Spaces<\/a>.” Sustainability, 11 (2019), 5631.<\/p>\n

Fillol, Sergio. “Off-Screen Space and the Fold: Ways of Representing the Unrepresentable, Shaped by the Hays Code in Classical Cinema<\/a>.” L’Atalante. <\/em>28 (2019). 49-62.<\/p>\n

Bou, N\u00faria. “The mise-en-discours<\/em> of sexuality in Hollywood classical cinema.<\/a>” L’Atalante. <\/em>28 (2019). 19-32.<\/p>\n

Villaverde Suanzes, Fernando. “Echoes of Violence: Howard Hawks and the End of the Production Code<\/a>.” L’Atalante. <\/em>28 (2019). 77-92<\/p>\n

Tur-Vi\u00f1es, Victoria, and Castell\u00f3-Mart\u00ednez, Araceli. “Commenting on Top Spanish YouTubers: ‘No Comment’<\/a>“. Soc. Sci.<\/em>\u00a02019,\u00a08<\/em>, 266. https:\/\/doi.org\/10.3390\/socsci8100266<\/p>\n

S\u00e1nchez-Castillo, Sebasti\u00e1n, Gal\u00e1n-Cubillo, Esteban, Arnau Gifreu-Castells. “The political interview and audiovisual bias: The case of Los desayunos de TVE<\/em> (2018)<\/a>.”\u00a0Revista Mediterr\u00e1nea de Comunicaci\u00f3n<\/em>, 12.1 (2019). 205-219.<\/p>\n

G\u00f3mez, Carlos, Enrique Urbizu. “Broken Blossoms<\/em> (1919): Griffith and Conscious Expressiveness in the Early Days of Classicism<\/a>.”\u00a0L’Atalante. <\/em>27 (2019). 31-46.<\/p>\n

Poyato, Pedro. “An Essay on Subjectivity in Hollywood: Dark Passage<\/em> (Delmer Daves, 1947) and its Assimilation of Avant-garde Features<\/a>.” L’Atalante. <\/em>27 (2019). 91-104.<\/p>\n

Aranzubia Cob, Asier. “A Margin of Playful Ambiguity: Off-Screen Space in The Student Prince in Old Heidelberg <\/em>(Ernst Lubitsch, 1927).<\/a>” L’Atalante. <\/em>27 (2019). 47-60.<\/p>\n

Galindo P\u00e9rez, Jos\u00e9 Maria. “On Classical Hollywood Cinema: Beyond the Clash between Style and Canon.<\/a>” L’Atalante. <\/em>27 (2019). 119-130.<\/p>\n

Sierra, Aurken, Jordi Rodr\u00edguez Virgili. “Political Communication and Social Media: An Analysis of the State of the Question from 2008 to 2018<\/a>.” Mediterranean Journal of Communication, <\/em>Vol. 11, No. 1 (2019), 245-260.<\/p>\n

Esqueda Verano, Lourdes, Efr\u00e9n Cuevas \u00c1lvarez. “Cinema as Change Mummified: Objectivity and Duration in Andr\u00e9 Bazin’s Theory<\/a>.” L’Atalante. <\/em>26 (2018). 169-180.<\/p>\n

Mer\u00e1s, Lidia. “Retro Futures: A Vision of the Future in European Science Fiction Films (1979-1991).<\/a>” L’Atalante. <\/em>26 (2018). 199-212.<\/p>\n

Leulmo Jare\u00f1o, Jos\u00e9 Mar\u00eda. “Ways Out of the Factory: Readings of a Filmic Metaphor.<\/a>” L’Atalante. <\/em>26 (2018). 157-168.<\/p>\n

Zumalde, Immanol. “Oblique Melodrama: Hou Hsiao-Hsien’s\u00a0Dust in the Wind<\/em><\/a>.” L’Atalante. <\/em>25 (2018). 71-82.<\/p>\n

Garc\u00eda-Defez, Olga. “Modernity and Female Figures in La ciudad no es para m\u00ed<\/em><\/a>.” L’Atalante. <\/em>25 (2018). 205-219.<\/p>\n

Perez, Hector J. y Fernando J. Canet. “L’Avventura<\/em>: Emotions, engagement and inconclusiveness of an experimental plot<\/a>.” Cogent Arts and Humanities<\/em>, 5(1). 2018.<\/p>\n

Marzal-Felici, Javier, y Mar\u00eda Soler-Campillo. “The Spectacle of Excess: Representations of the Financial Crisis of 2008 in Mainstream American Cinema.<\/a>” Revista Latina de Comunicaci\u00f3n Social. <\/em>73 (2018). pp. 89-114.<\/p>\n

Labarga-Ad\u00e1n, Ignacio, Laura Gonz\u00e1lez-D\u00edez, y Pedro P\u00e9rez-Cuadrado. “Digital Native Magazines in the Field of Sports in Spain: The Case of MARCA Plus<\/a>.” Mediterranean Journal of Communication. <\/i>Vol. 9. No. 1 (2018).<\/p>\n

Garin, Manel. “Infinite Wounds: Redefining Narrative Structure and Serial Dynamics in Television Series<\/a>.” L’Atalante. <\/em>24 (2017). 27-43.<\/p>\n

Mestre-Froissard, Joel, Joaqu\u00edn Ald\u00e1s-Ru\u00edz. “Zabriskie Point<\/em>: The Metaphysical Pop of Michelangelo Antonioni<\/a>.” L’Atalante. <\/em>24 (2017). 149-164.<\/p>\n

Pintor, Ivan. “Silence and Fog: On Gesture, Time and Historicity in the Films of Aleksandr Sukorov<\/a>.” Apparatus<\/em> 5 (2017).<\/p>\n

Losilla Alcalde, Carlos. “Seeing Inward, Looking Outward: Female Desire in Francoist Cinema<\/a>.” L’Atalante. <\/em>23 (2017). 19-28.<\/p>\n

Eduque, Albert. “Primer Plano<\/em>: The Popular Face of Censorship<\/a>.” L’Atalante. <\/em>23 (2017). 49-62.<\/p>\n

Camarero Calandria, Emma. “From the Banal to the Indispensable: Pornochanchada<\/em> and Cinema Novo during the Brazilian Dictatorship (1964-1985)<\/a>.” L’Atalante. <\/em>23 (2017). 95-108.<\/p>\n

De La Fuente, Manuel. “Breaches in Reality: Intervention Strategies in the Documentary Film<\/a>.” L’Atalante. <\/em>22 (2016). 67-76.<\/p>\n

Jimeno Aranda, Ricardo. “Militant Cinema and Political Documentary in Italy: The Case of Marco Bellochio as an Example of its Evolution<\/a>.” L’Atalante. <\/em>22 (2016). 67-76.<\/p>\n

M\u00e1rquez-Ballesteros, Mar\u00eda Jos\u00e9, Boned Purkiss, Javier, Alberto E. Garc\u00eda-Moreno. “Mapping Wings of Desire<\/em>: Berlin and the City of Forgotten Places<\/a>.” L’Atalante. <\/em>22 (2016). 155-166.<\/p>\n

Aguilo, Susana. Runaway Princes. <\/em>Amazon E-Book, 2016.<\/p>\n

Quintana, Angel. “Policies of Memory Related to Images from the First World War.<\/a>” L’Atalante. <\/em>21 (2016). 7-16.<\/p>\n

P\u00e9rez, Xavier. “Allegory, Redemptionism and Tragic Temptation in Hollywood Films in Response to the Great War (1915-1930).<\/a>” L’Atalante. <\/em>21 (2016). 37-46.<\/p>\n

Barrientos-Bueno, M\u00f3nica. “The First World War through the EFG1914 Project.<\/a>” L’Atalante. <\/em>21 (2016). 71-80.<\/p>\n

Arantzazu Ruiz Rodr\u00edguez, Paula. “Operating on the Frame: Interventions in the Medical Films of the Novecento and the First World War in Yervant Gianikian and Angela Ricci-Lucchi’s Oh! Uomo<\/em><\/a>.” L’Atalante. <\/em>21 (2016). 81-92.<\/p>\n

Elduque, Albert, Alan Salvad\u00f3. “Aesthetic and Narrative Uses of the Trench in Hollywood Films from 1918 to 1930<\/a>.” L’Atalante. <\/em>21 (2016). 93-104.<\/p>\n

Pintor, Ivan. “Dream and History, the Cartoon Mirror: the Incorporation of History into the Comic Book.” In Julio Ca\u00f1ero & Esther Claudio (eds.),\u00a0On the Edge of the Panel: Essays on Comics Criticism.\u00a0<\/em>Cambridge Scholars Publishing, 2015.<\/p>\n

Castro de Paz, J. & F. Gomez Beceiro. “Love, Loss, Melancholy, Delusion: An Obsessive-Delusional Stylistic Model in Spanish 1940s Cinema<\/a>.” L’Atalante. <\/em>20 (2015). 6-14.<\/p>\n

Larrauri Garrate, I\u00f1igo. “When the Face Hides the Mask: The Role of Supporting Actors in Los que no fuimos a la guerra<\/em> (Julio Diamante, 1961)<\/a>.” L’Atalante. <\/em>20 (2015). 32-37.<\/p>\n

Villanueva Baselga, Sergio. “Collaborative Practices in the Contemporary Documentary: A Proposed Analysis and Revision of the Participatory Mode in Documentary Theory<\/a>.” L’Atalante. <\/em>20 (2015). 116-123.<\/p>\n

Bou, N\u00faria. “Modernism Born Out of Classical Cinema: The Body of Marlene Dietrich in the Films of Josef Von Sternberg<\/a>.” L’Atalante. <\/em>19 (2015). 36-42.<\/p>\n

P\u00e9rez, H\u00e9ctor J. “The Three Bodies of Narration: A Cognivitist Poetics of the Actor’s Performance”. L’Atalante. <\/em>19 (2015). 17-26.<\/p>\n

Ball\u00f3, Jordi and Ivan Pintor Iranzo. “Exhibition Cinema: A Crossroads between the Cinema and the Museum in Contemporary Spanish Filmmaking.” Hispanic Research Journal. <\/em>1.15 (2014): 35-48.<\/p>\n

Guiralt Gomar, Carmen. “Before Hollywood? A Girl’s Folly as a Testimony to the Paragon Studio in Fort Lee, New Jersey.”\u00a0L’Atalante,<\/em> 18 (2014). 118-126.<\/p>\n

Marzal Felici, Javier and Mar\u00eda Soler Campillo. “Contemporary Spanish Animated Films: Between the Temptation of the Mainstream and the Consolidation of a National Cinema.” Hispanic Research Journal. <\/em>1.15 (2014): 88-99.<\/p>\n

Ganzo, Fernando. “Interview with Pierre L\u00e9on. A Rhetorical Discussion of the Voice-over and Considerations Regarding the Actor\u2019s Voice as Filmic Material.” Cinema Comparat\/ive Cinema.<\/em> Vol. I. No. 3 (2013). 21-28.<\/p>\n

Crespo, Alfonso. “Voices at the Altar of Mourning: Challenges, Affliction.” Cinema Comparat\/ive Cinema.<\/em> Vol. I. No. 3 (2013). 57-65.<\/p>\n

Ib\u00e1n, Iv\u00e1n C. “God in Constitutions and Godless Constitutions.” Law, Religion, Constitution: Freedom of Religion, Equal Treatment and the Law.\u00a0<\/em>Surrey, UK: Ashgate, 2013.<\/p>\n

Ferchiche, Nassima. “Religious freedom in the constitutions of the Maghreb.” Law, Religion, Constitution: Freedom of Religion, Equal Treatment and the Law.\u00a0<\/em>Surrey, UK: Ashgate, 2013.<\/p>\n

Pedro, Joan. “Three Missions of the Medieval University Centered on Social Reproduction and Transformation.” Synaesthesia: Communication Across Cultures<\/em>. 1.3 (2012): 26-50.<\/p>\n

Lourdes Victoria, Mar\u00eda de. “The Street Vendor.” Kahini Magazine<\/a>.<\/em> Jan.-Mar. 2012.<\/p>\n

Reyes Mate, Manuel. “Introduction to Midnight in History<\/em>.” Essaya<\/em>ndScience<\/em> (2011). Fundaci\u00f3n Santillana, Madrid.<\/p>\n

Pedro, Joan. \u201cThe Propaganda Model in the Early 21st Century.\u201d International Journal of Communication <\/em>5 (2011). Los Angeles, CA.<\/p>\n

D\u00edaz, J.L. \u201cCajal\u2019s Legacy in Mexico.\u201d From Development to Degeneration and Regeneration of the Nervous System<\/em>. (Eds. C.E. Ribak et al.). New York, NY: Oxford Univ. Press, 2009.<\/p>\n

D\u00edaz, J.L. \u201cThe Game of Life.\u201d Ludus Vitalis<\/em>. Vol. XV, No. 28 (2007). Mexico, D.F.<\/p>\n

ART\u00cdCULOS ESCRITOS SOBRE LA TRADUCCI\u00d3N<\/h2>\n

“Desconstruyendo el muro. El papel de la traducci\u00f3n literaria en las relaciones entre M\u00e9xico y Estados Unidos.<\/a>” In Zamora, A., G. Ogarrio (eds.),\u00a0M\u00e9xico en el tiempo de la rabia. Arte y literatura de la guerra, el dolor y la violencia (2006-2018).<\/em> Cuernavaca, Mexico: UAEM, 2020.<\/p>\n

“Magical Realism and the Rewriting of Juan Rulfo’s Pedro P\u00e1ramo<\/em>.” In Guzm\u00e1n, M.C., A. Papadopolous, M.L. Worth (eds.) Reflections of a Translated World. <\/em>Toronto, ON: York University Press, 2016.<\/p>\n

\u201cThe Problem of \u2018Performability\u2019 in Theatre Translation.\u201d The Theatre Times<\/em>, septiembre 2016.<\/p>\n

“A Conflict of Narratives: The Influence of US Ideology on the Translation of Mexican Literature into English.” In A. Klimkiewicz (ed.). Multilingual Identities: Translators and Interpreters as Cross-Cultural Migrants.<\/em> Toronto, ON: Antares, 2013.<\/p>\n

“Re-Foreignizing the Foreign: An Annotated Retranslation of Juan Rulfo’s Pedro P\u00e1ramo. <\/em>Web, 2013. Academia.edu<\/a>.<\/em><\/p>\n

“Para resistir la crisis y progresar: Readings and Translations of Cuban Political Discourse” (co-written with Lyse H\u00e9bert). Mutatis Mutandis, <\/em>Vol. 5 No. 2 (2012): Antioqu\u00eda, Colombia.<\/p>\n

\u201cTurning the Telescope the Other Way Round: A Reflexive Case Study.\u201d Canadian Association of Translation Studies (CATS) Young Researchers<\/em> 2011-2012.<\/p>\n

\u201cEquivalence and Equivalent Effect.\u201d Multi-Languages Newsletter<\/em>, 15 (2010). Toronto, ON.<\/p>\n

Varios art\u00edculos sobre la traducci\u00f3n publicados en el Foro en l\u00ednea de Di\u00e1logos<\/em><\/a>.<\/p>\n

CUENTOS PUBLICADOS COMO AUTOR<\/h2>\n

\u00a0<\/strong><\/p>\n

\"\"<\/a>

COMPRAR ESTE LIBRO<\/a><\/p><\/div>\n

Papalotero <\/strong><\/em>(Editorial Ink, 2012)<\/strong>
\nUna novela<\/strong>
\nPapalotero<\/em>, historia de amor intercultural que se desarrolla en Toronto, es un homenaje a todas esas personas excepcionales que son lo suficientemente valientes para dedicarse a lo que realmente aman. Los sue\u00f1os de llegar a volar de Teresa Jones contrastan tajantemente con su mon\u00f3tona vida anclada a la tierra como archivera en una tienda de CD. Pero al conocer a Miguel \u00c1ngel Ram\u00edrez, un inmigrante mexicano inadaptado que construye y vuela cometas para ganarse la vida, Teresa ser\u00e1 desafiada a renunciar a su baja autoestima y a las camisetas con leyendas impresas de La vida apesta<\/em>, y a descubrir que la felicidad que cree fuera de su alcance, en realidad puede estar solo a un peque\u00f1o salto de fe.<\/p>\n

“Cultura.” Desde el norte. Narrativa contempor\u00e1nea canadiense. <\/em>Ed. Martha B\u00e1tiz Zuk. M\u00e9xico, DF: UAM-Xochimilco, 2015.<\/p>\n

“HEZI.” Paperplates<\/em>. 8.1 (2012), Toronto, ON.<\/p>\n

\u201cMiguel Angel.\u201d Antares 2009: Literary and Artistic Creativity<\/em>. Toronto, ON: Antares, 2009.<\/p>\n

\u201cCulture.\u201d Other Voices<\/em>. No. 20.2 (2008). Edmonton, AB.<\/p>\n

\u201cWar Games.\u201d Fantastic!<\/em> Sidney: Oxford University Press, 2003.<\/p>\n

“Signmaker.” Crossfire. <\/em>No. 1.1 (2002). Melbourne, Australia.<\/p>\n

Varias publicaciones en revistas en l\u00ednea<\/p>\n","protected":false},"excerpt":{"rendered":"

MARTIN BOYD, TRADUCTOR ESPA\u00d1OL>INGL\u00c9S TRADUCCIONES DE LIBROS The Whirling of the Serpent Jos\u00e9 Luis D\u00edaz (Antares, 2009) Mediante una delicada prosa y una esmerada labor de indagaci\u00f3n, reflexi\u00f3n y an\u00e1lisis, Jos\u00e9 Luis D\u00edaz revela c\u00f3mo el mito de Quetzalc\u00f3atl, la … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":4459,"parent":936,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sidebar-page.php","meta":{"footnotes":""},"class_list":["post-1338","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPublicaciones - Martin Boyd, traductor espa\u00f1ol-ingl\u00e9s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dialogos.ca\/es\/cartera\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publicaciones - 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